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 See below for a full audition breakdown for our upcoming productions of Little Women, The Prince of Egypt, and West Side Story! Little Women is in currently finalizing casting, and The Prince of Egypt and West Side Story will hold initial auditions September 4-6, 2026.

LITTLE WOMEN

Music by Jason Howland
Lyrics by Mindi Dickstein
Book by Allan Knee

Director/Choreographer: Cate Caplin
Music Director: Diane King Vann

PRODUCTION DATES

First rehearsal: Monday, October 19th, 2026
Preview: Friday, November 6th, 2026
Opening: Saturday, November 7th, 2026
Closing: Sunday, November 22nd, 2026

AUDITION DATES

Initial auditions have been completed.

LOCATIONS

Auditions and Rehearsals will be held at the MTW rehearsal hall: 4350 E 7th Street, Long Beach, CA 90804 

Maximum capacity in audition room at once: 50 (2,000 square feet of danceable space)
Maximum capacity in outdoor holding area: 55

Performances for LITTLE WOMEN will be held at the Carpenter Performing Arts Center: 6200 E Atherton St, Long Beach, CA 90815

CONTRACT

AEA rate: $1,054/wk (COST Tier 2+)

Non-AEA rate: $16.90/hr for all rehearsal and performance hours worked.

Priority is always given to those with local housing. Non-AEA members are always encouraged to attend all auditions.

AUDITION MATERIAL

Please prepare a 16-32 bar vocal selection in the style of the show. The Creative Team would like those auditioning to know that they are welcomed and encouraged to sing Callback Material from the show.

Callback Material for LITTLE WOMEN will be posted HERE when available (materials will be posted at least one week prior to auditions).

When attending an audition, please ensure that you bring a headshot & resume.

AUDITION APPOINTMENTS

If you are an AEA member looking to schedule an audition appointment, you can do so on the AEA website.

We do not currently have any appointments available for Non-AEA members; however, Non-AEA are still welcome and encouraged to attend auditions on Monday, August 3rd (Vocal EPA). While we must prioritize our AEA members, we will do our best to see all those who attend. 

If you aren’t able to attend the in-person auditions, please complete the form below to submit a virtual audition, which includes:

• HEADSHOT
• RESUME
• VOCAL VIDEO – 16-32 bar vocal selection in the style of the show you are auditioning for.
• Feel free to include your REEL as well!

MTW 2026 SEASON VIRTUAL SUBMISSIONS

CHARACTER DESCRIPTIONS

Musical Theatre West strives to reflect its community, and welcomes and encourages all performers of any gender identity, age, religion, sexual orientation, race/ethnicity, language, physical ability or diverse viewpoints to audition.

LITTLE WOMEN

*All roles will be cast 18+ to play the ages listed below

**The role of JOSEPHINE “JO” MARCH has been cast.  Seeking potential understudies/swings.

The March Family

• Josephine “Jo” March: (age 18-23) The fiercely independent, ambitious protagonist and aspiring writer. Our story’s protagonist. Passionate, adventurous, and brave. She has the idea of writing Little Women and eventually becomes engaged to Professor Bhaer.  (Vocal range: Alto / Mezzo-Soprano. Vocal range top: A5 – Vocal range bottom: E3)

• Meg March:  (age 21-25) The world-weary, yet hopeful, oldest sister who yearns for a great life. She marries John and has twins with him.  Doubles as Clarissa. (Vocal range: Mezzo-Soprano / Soprano. Vocal range top: Gb5 – Vocal range bottom: A#3)

• Elizabeth “Beth” March: (age 17-21) The timid, gentle, and musically gifted sister.  The second youngest sister who tragically dies of Scarlet Fever. Peace-maker, lover, and an optimist who is always encouraging her sisters to dream. Doubles as Rodrigo II. (Vocal range: Soprano / Mezzo-Soprano. Vocal range top: G5 – Vocal range bottom: A3)

• Amy March: (age 14-18): The youngest, most energetic sister with a rather pompous air about her. She later marries Laurie. Doubles as Hag. (Vocal range: Soprano. Vocal range top: Gb5 – Vocal range bottom: Cb4)

• Marmee March: (age 45-55) The devoted mother and moral anchor of the family.  She is the strong backbone of the family, who is courageous in spite of the difficult odds she faces. Doubles as Troll. (Vocal range: Contralto / Mezzo-Soprano. Vocal range top: Eb5 – Vocal range bottom: Eb3)

Suitors & Friends

• Laurie Laurence: (age 18-23) The bright-eyed boy-next-door with considerable charm. He loves Jo but later falls in love with Amy. Doubles as Rodrigo. (Vocal range: Tenor. Vocal range top: Bb2 – Vocal range bottom: Bb4)

• Professor Bhaer: (age 35-45) German Professor who exemplifies proper manners. He is a boarder in Mrs. Kirk’s boarding house and eventually falls in love with Jo.  The character has a slight German accent. (Vocal range top: F#4 – Vocal range bottom: G2)

• John Brooke: (age 30-40) Laurie’s tutor and a dedicated suitor to Meg. A rather stiff man; shows very little emotion. He later marries Meg and changes. Doubles as Braxton. (Vocal range: Tenor. Vocal range top: F#4 – Vocal range bottom: C#3)

Extended Family

• Aunt March: (age 45-60) A formidable, over-bearing matron and great-aunt to the March sisters. The wealthy socialite in town.  Doubles as Mrs. Kirk. (Vocal range: Alto / Soprano. Vocal range top: F5 – Vocal range bottom: E3)
• Mr. Laurence: (age 50-60) Laurie’s wealthy, initially stern grandfather who softens over time.  Doubles as the Knight. (Vocal range: Baritone. Vocal range top: D4 – Vocal range bottom: D3)

THE PRINCE OF EGYPT
&
WEST SIDE STORY

THE PRINCE OF EGYPT

Music by Stephen Schwartz

Lyrics by Stephen Schwartz

Book by Philip LaZebnik
Director/Choreographer: Jeffry Denman
Music Director: Rod Bagheri

WEST SIDE STORY

Music by Leonard Bernstein

Lyrics by Stephen Sondheim

Book by Arthur Laurents

Director: Marissa Herrera

Choreographer: Kyle Coffman

Music Director: Dennis Castellano

PRODUCTION DATES

THE PRINCE OF EGYPT

First rehearsal: Tuesday, February 2nd, 2027
Preview: Friday, Feb 19th, 2027
Opening: Saturday, Feb 20th, 2027
Closing: Sunday, March 7th, 2027

WEST SIDE STORY

First rehearsal: Tuesday, March 22nd, 2027
Preview: Friday, April 9th, 2027
Opening: Saturday, April 10th, 2027
Closing: Sunday, April 25th, 2027

AUDITION DATES

THE PRINCE OF EGYPT & WEST SIDE STORY Principal/Chorus Vocal Auditions (EPA/ECC): Friday, September 4th, 2026:
Appointments from 10:00am – 6:00pm, break from 1-2pm
(all singers must be signed in no later than 5pm to make an appointment) 

PRINCE OF EGYPT Student Ensemble auditions (ages 7-17): Saturday, September 5th, 2026 @ 10:00am
Audition will begin with dancing, followed by singing.  Please arrive no later than 9:45am to check-in.
These auditions will also serve as the auditions for the roles of YOUNG MIRIAM & LEAH.
To make an appointment for our Student Ensemble auditions, please sign up using the following Google Form: PRINCE OF EGYPT Student Ensemble Audition Sign-In Form
**NOTE: this form is only to be used for those signing up for our STUDENT ENSEMBLE auditions**

THE PRINCE OF EGYPT Dance ECC (all genders): Sunday, September 6th, 2026:
12pm – Dance group 1
2pm – Dance group 2
4pm – Dance group 3* (only if previous groups are filled)
Those called back to sing will be asked to do so after dancing.
It will take approximately one hour for each group to learn, dance and audition each combination.
**NOTE: SEPARATE DANCE ECCs and Principal Appointments for WEST SIDE STORY will happen a later date (currently tentatively scheduled for late November)**

Principal Callbacks for THE PRINCE OF EGYPT will be held on Monday, September 7th, 2026.
Principal Callbacks for WEST SIDE STORY dates TBD (currently tentatively scheduled for late November).

LOCATIONS

Auditions and Rehearsals will be held at the MTW rehearsal hall: 4350 E 7th Street, Long Beach, CA 90804 

Maximum capacity in audition room at once: 50 (2,000 square feet of danceable space)
Maximum capacity in outdoor holding area: 55

Performances for PRINCE OF EGYPT & WEST SIDE STORY will be held at the Carpenter Performing Arts Center: 6200 E Atherton St, Long Beach, CA 90815

 

CONTRACT

AEA rate: $1,054/wk (COST Tier 2+)

Non-AEA rate: $17.40/hr for all rehearsal and performance hours worked.

Priority is always given to those with local housing. Non-AEA members are always encouraged to attend all auditions.

 

AUDITION MATERIAL

Please prepare a 16-32 bar vocal selection in the style of the show. The Creative Team would like those auditioning to know that they are welcomed and encouraged to sing Callback Material from the show.

Callback Material for THE PRINCE OF EGYPT will be posted HERE when available (materials will be posted at least one week prior to auditions).

When attending an audition, please ensure that you bring a headshot & resume.

 

AUDITION APPOINTMENTS

If you are an AEA member looking to schedule an audition appointment, you can do so on the AEA website.

We do not currently have any appointments available for Non-AEA members; however, Non-AEA are still welcome and encouraged to attend auditions on Monday, August 3rd (Vocal EPA). While we must prioritize our AEA members, we will do our best to see all those who attend. 

If you are unable to attend the in-person auditions, please complete the form below to submit a virtual audition, which includes:

• HEADSHOT
• RESUME
• VOCAL VIDEO – 16-32 bar vocal selection in the style of the show you are auditioning for.
• DANCE/MOVEMENT VIDEO, if applicable.
• Feel free to include your REEL as well!

MTW 2027 SEASON VIRTUAL SUBMISSIONS
(*Submissions for THE PRINCE OF EGYPT are due by end of day on Friday, September 4th*)

CHARACTER DESCRIPTIONS

Musical Theatre West strives to reflect its community, and welcomes and encourages all performers of any gender identity, age, religion, sexual orientation, race/ethnicity, language, physical ability or diverse viewpoints to audition.

THE PRINCE OF EGYPT

*Most roles will be cast 18+ to play the ages listed below. The roles of Young Miriam and Leah will be cast as children.

Synopsis: Journey through the wonders of Ancient Egypt as Ramses and Moses, two young men raised together as brothers in a kingdom of privilege, find themselves suddenly divided by a secret past. One must rule as Pharaoh, the other must rise up and free his true people; both face a destiny that will change history forever.

Characters:

• Moses: (Male, age 18 to 39) Playful, but with a soulful core. Ages throughout the show. He begins the show as a devil-may-care young man, a bit of a clown and playboy, secure in his privileged identity as a prince of Egypt. But after his devastating discovery that he was born a slave, he grows into the strong and compassionate leader of the Hebrew people. (High Tenor. Vocal range top: A4 – Vocal range bottom: Bb2)

• Ramses: (Male, age 18 to 39) A prince of Egypt, heir to the throne, who ages throughout the show. He loves his brother Moses, but is also quite competitive with him, since Moses’s winning personality continually puts him in the shade. His father expects a great deal from him as the future Pharaoh, and Ramses is wracked by self-doubt. Through trials of great pain over the course of the show, he ultimately becomes a great leader of the Egyptians. (Tenor. Vocal range top: A4 – Vocal range bottom: Bb2)

• Tzipporah: (Female, age 18-39) A Midian princess, fiery and rebellious, who ages throughout the show. She is full of spirit and strength, and wants nothing more than for her people to be free. Deeply committed to her family, and eventually to her love for Moses. Must have a thrilling high belt, but also a well-developed and beautiful mix; must also dance well. (Vocal range top: E5 Vocal range bottom: Ab3)

• Jethro: (Male, age 50-65) The High Priest of Midian and Tzipporah’s father. A powerful, wise presence, exuding a joy of life and a deep empathy for others. Full of love and buoyancy, with a deep spiritual center. Dance ability a plus. (High Baritone. Vocal range top: G4 – Vocal range bottom: A2)

• Pharaoh Seti: (Male, age 50-69) The Pharaoh of Egypt. Commanding, carries himself with great dignity and authority. As a young man, he brought Egypt back from the brink of civil war. He is a great general and still leads his army into battle. He loves his sons deeply,but he loves Egypt more and everything he does is to protect and preserve his country. (Baritone/Bass. Vocal range top: E4 – Vocal range bottom: B2)

• Queen Tuya: (Female, age 35-55) Regal, wise, deeply loving. She always wanted another son after Ramses was born, and believes Moses was a gift from the gods. Over the course of the show she changes from being a vibrant, clever, and even playful woman to a broken creature devastated by the loss of her adopted son. (Alto. Vocal range top: E5 – Vocal range bottom: G3)

• • Hotep: (Male, age 50-65) The High Priest of Egypt. Though pompous and self-important, he is deeply committed to the ancient gods of Egypt and above all fears the heresy of the one god which brought down the previous dynasty. His support is crucial to the well-being of the 18th Dynasty. He despises Moses for his lack of reverence and seeks to preserve the Egyptian hierarchy at all costs. (Baritone. Vocal range top: F4 – Vocal range bottom: G#2)

• Aaron: (Male, age 22-40) Moses’s Hebrew brother. Intellectual, sardonic, skeptical, funny. Aaron has reached an accommodation with his life as a slave; he makes a joke of everything to diminish the pain. Aaron is the last Hebrew to believe in Moses; when Moses returns to Egypt and confronts Ramses, asking him to let his people go, Aaron’s skepticism is borne out when the Hebrews’ labor is doubled. But when Aaron is finally won over, he becomes Moses’ most loyal follower. (Tenor/high Baritone. Vocal range top: G4 – Vocal range bottom: B2)

• • Miriam: (Female, age 25-45) Moses’s Hebrew sister. Devout, unswerving, simple-hearted, optimistic. A prophetess. She believes in God and in Moses as the Deliverer and never wavers in her faith in both. (Strong rich belt. Vocal range top: Eb5 – Vocal range bottom: G3)
  • Nefertari: (Female, age 20-39) Ramses’s wife and his Queen of Egypt. Imperious and haughty. Scion of an ancient royal family, she is keenly aware of her position and her importance to the dynasty. She is supremely self-confident and looks down upon Ramses as a member of an upstart family. But at the end, her heart is broken by the death of her son and she reveals her humanity and love for Ramses. (High Alto. Vocal range top: D5 – Vocal range bottom: B3)

• Yocheved: (Female, age 20-39) Moses’s Hebrew mother. She sets her son afloat in a basket on the Nile in order to save him from the Egyptian soldiers. Sings in Hebrew and English. (Alto. Vocal range top: E5 – Vocal range bottom: G3)

• • Keturah: (Female, age 15-17. Will be cast 18+) One of Tzipporah’s younger sisters. Feisty and willing to fight when threatened. Good-humored, she and Leah think their older sister is a bit of a head case, and they happily welcome Moses into their tribe. (Vocal range top: C#5 – Vocal range bottom: B3)

• Leah: (Female, age 11-14) One of Tzipporah’s younger sisters. Feisty and willing to fight when threatened. Good-humored, she and Keturah think their older sister is a bit of a head case, and they happily welcome Moses into their tribe. (Vocal range top: C#5 – Vocal range bottom: B3) (Note: this role will be cast from our Student Ensemble)

• Young Miriam: (Female, age 8-11) Moses’s Hebrew sister. (Vocal range top: C5 – Vocal range bottom: G3) (Note: this role will be cast from our Student Ensemble)
• Ensemble: Singers/dancers/actors who portray Hebrew slaves, members of the Egyptian court, Priests, and Midianites. Need to be able to develop strong unique characters and sing harmony. Able to portray wide range of dance and vocal performance styles.

WEST SIDE STORY

*All roles will be cast 18+ to play the ages listed below.

The  Sharks  –  A  Puerto  Rican  gang  

• MARIA: A hopeless romantic and innocent young girl. She falls in love with Tony and finds herself at the center of the violent conflict between the two gangs. Bernardo’s younger sister. Strong soprano voice. Range: Bb3 to C6. Some dancing.
• ANITA: Feisty and assertive. Bernardo’s girlfriend. She dispenses “older sister” advice to Maria and tries to shield her from the dangers of the gangs. Strong Alto.Range: F3 to D5. Strong dance required.   
• BERNARDO: A proud, strong, handsome man. Bernardo seeks to carve out territory as a sense of identity for him and his friends. Maria’s older brother and Anita’s boyfriend. Leader of the Sharks. Limited solo singing. Range: Bb2 to Eb4. Strong dance required.
• CHINO: An angry and, at times, naive Shark who turns murderous and vengeful. Suitor to Maria and friend of Bernardo’s. Dancing/Singing required.
• PEPE: Gang member, Dancing/Singing required. Baritone.
• INDIO: Gang member, Dancing/Singing required. Tenor. 
• LUIS: Gang member, Dancing/Singing required. Baritone/Bass.
• ROSALIA: Indio’s girlfriend, more demure, not too bright. Mezzo Soprano.
• CONSUELA: Tough, young. Pepe’s girlfriend. Alto.
• FRANSISCA: Young, Luis’ girlfriend. Soprano.

The  Jets  –  A  Caucasian  gang  

• TONY: A romantic young man and former leader of the Jets, he has found a new lifestyle now that doesn’t involve gangs. Tony finds himself violently torn between his friendships and love. Falls in love with Maria and meets an unfortunate death. Genuinely sweet and sincere. Strong tenor voice. Range: Bb2 to Bb4. Limited dancing.
• RIFF: An athletic, quick­‐tempered leader of the Jets. He seeks to eliminate the Sharks and establish his own gang’s dominance. Tony’s best friend, he is eventually murdered by Bernardo. Strong singer/dancer. Range: Bb2 to G4. Strong dance required.
• ANYBODYS: A spunky tomboy who is desperate to become a member of the Jets. The other Jets mock her for her ambitions, but generally appreciate her company. Full of energy and heart. Strong dance required.
• DIESEL: Second-in-command of the Jets. Leader after Riff’s death. Baritone/Bass. Strong dance required.
• ACTION: The most quick-tempered member of the Jets, always ready for a fight. Tenor. Strong dance required.
• A-RAB: Slightly less quick tempered than Action. Baby John’s best friend. Baritone. Strong dance required.
• BABY JOHN: The youngest of the Jets, is beaten up during the opening sequence. Tenor. Strong dance required.

The Adults

• OFFICER KRUPKE: The local beat cop. He has no patience for the gangs’ conflict and tries to keep tensions from erupting between them. A little dorky, he is regularly mocked by the local gangs. No dance required.
• DETECTIVE SCHRANK: A local police detective frustrated by the ongoing violence between the Jets and Sharks. Blunt, brash, racist, and unapologetic. No dance required.
• DOC: The adult owner of the store where the Jets hang out. He tries to guide the Jets’ youthful angst and provides a safe haven for Tony. Old fashioned and wise in his ways. No dance required.
• GLAD HAND: Nerdy, overly cheerful and ill-equipped social director at the school dance (“Mambo”). No dance required.

Frequently Asked Questions

Where are Musical Theatre West auditions held?

All auditions take place at the MTW rehearsal halls and offices, located at 4350 East 7th St, Long Beach, CA 90804. You can enter through one of two gates on 7th Street. 

Where should I park?

Parking is available directly in front of the offices in our parking lot. If the lot is full, there is street parking available on Ximeno, as well as in the surrounding neighborhoods.

When should I arrive?

If you have an audition appointment or are attending a chorus call, arrive at least 15 minutes before your scheduled time to allow for plenty of time to check-in. If you are attempting to audition without an appointment, our offices will be open an hour before our posted audition start time.

What should I wear?

For a vocal call, wear a comfortable outfit that you would wear to a job interview. If you would like to dress in the style of the show, feel free to do so.

For a dance call, wear form fitting clothing that you are comfortable dancing in and bring any shoes that could potentially be used in the show you are auditioning for. This could include jazz shoes, character shoes, or tap shoes, depending on the show. If you identify as female, character heels are usually required. 

What do I do when I get to the audition?

After you park, walk to our green room and check in with the audition monitors. If the audition is listed as an Equity Principal Audition (EPA) or an Equity Chorus Call (ECC), there will be an Equity monitor on site and all auditioners, regardless of union status, will need to check in with this monitor first. The MTW monitors will then have paperwork and additional check-in information for all auditioners. If you are a member of Actors’ Equity, remember to bring your Equity card.

How does the check-in process work?

There will be a Google Form for each auditioner to fill out when they arrive. This form will ask about basic contact information, union status, and any conflicts you may have with the rehearsal schedule provided. Bring a smartphone to fill out this form, plus your calendar to note any potential conflicts. The form may ask you to sign into your Google account, so have any login information ready. There is also a spot on the form that asks if you would accept an understudy role or an ensemble role, and we ask that you answer as truthfully as possible so we can cast the show appropriately.

What should I prepare?

For a vocal call, we typically ask auditioners to prepare a 16-32 bar cut of a song in the style of the show. This may change based on the individual shows, so always check the section of the audition notice called “Audition Material” for the most accurate information. Bring sheet music in the proper key; we do not allow tracks. 

For a dance call, arrive warmed up and in the proper attire. 

For all auditions, bring a physical headshot and resume.

What do I do after I check in?

Once you’ve confirmed with the audition monitors that your check-in form has successfully gone through, you can relax in our green room or right outside the green room. Don’t go too far away, because our audition monitors will call your name when it’s time for you to audition. 

For a vocal call, we will call you into the hallway as a part of a small group where you will wait to go into the audition room. One of our monitors will then take your group in one by one, and you will then have the chance to audition.

For a dance call, we will bring in groups of up to 50 at a time into the audition room at once.

How does the audition work once I am in the audition room?

For a vocal call, you will walk to the accompanist and go over your sheet music with them. Then, you can walk to the X marked on the floor in front of the audition panel and slate for the panel. Slating is where you say your name, the name of the song you will sing, and the name of the musical it is from or the name of the artist who sang it. You can then sing your song. Once you have finished, the panel will either thank you and you can leave, or they may ask you to sing another song. If you are asked to sing something else, you can return to the accompanist and go over the sheet music for the next song, and then return to the X to sing. Once you are finished, take a seat in the hallway outside the room once again and the audition monitor will have more information for you there.

For a dance call, the choreographer will teach the routine, then break the group into groups to practice. We will then organize you into smaller groups and you will perform the routine for adjudication.

How do callbacks work?

If the casting team needs to see more from you, then we will ask you to come back either later in the day or on another day, depending on what the team needs to see. The audition monitors will let you know before we dismiss you for the day and will let you know when to come back and what to prepare. All current callback material can be found here.

How will I know if I’m cast in the show?

All auditioners will receive an email stating whether or not they were cast in the show. We try to get this email out as soon as we can, but sometimes it can take up several weeks to fully cast the show. This MTW audition page will also be updated when all offers have been sent out.

It’s my first time auditioning, any advice?

Yes!  Always be yourself when auditioning. You never know what the casting team is looking for, so the more you can let yourself shine through in your audition, the better. When you do your best, you make our job easier because we want to find the right people for each role. Make sure you arrive on time and come prepared for anything the team may throw your way. Try not to compare yourself to others and most importantly, have fun! And if you have an off day, there are always more auditions around the corner. We’re excited to have you!